CLANNAD – The Original Celtic Artist

January 30, 2012

In a career spanning four decades, Clannad have made music that entwines the traditional and the modern, the past and the future, with stunningly beautiful results. With their haunting songs, mesmerizing vocals, and captivating sound the group has sold over fifteen million records worldwide.  Clannad has also won many prestigious awards over the years, including Billboard’s “World Song of the Year” in 1992, a Grammy for “Best New Age Album” in 1999, and they have also been the recipients of not one, but two “Lifetime Achievement Awards” at home in Ireland.

It is indeed fascinating to consider that what today is so widely regarded as Celtic music was first called “Clannad music.” There is perhaps no greater testament to the impact of this groundbreaking group than that. It all begins with Clannad.

Coming soon to public TV, “CLANNAD – LIVE FROM CHRISTCHURCH CATHEDRAL”! For more info, click here.


Mark Matson’s “MAIN STREET MONEY”

January 4, 2012

Mark Matson is a respected financial expert who helps thousands of people to survive and thrive in today’s turbulent financial environment. In a world where protecting your investment portfolio from the dangers of a roller-coaster financial market is becoming harder every day, Mark Matson provides viewers with strategies for separating “the wheat from the chaffe”.

In this 60-minute pledge special (90-minute pledge event), Mark Matson helps viewers to navigate through the dangerous waters of today’s economy to achieve their goals for financial security.

Create, manage and position your wealth and retirement to minimize tax burden. Get valuable tips for choosing safe places for your money in these times of great change. Position yourself to be in a good place to grow your wealth when new opportunities materialize.


JUSTIN HINES’ “inspiring sound” featured on CBS!

December 20, 2011

The Canadian singer/songwriter recently released “Days to Recall”, his first album in the U.S. and Tracy Smith reports how his music and story, will inspire you. Check out the video, here!


THE FAIRYTALE Promo

November 3, 2011

Coming to Public Television in the Winter of 2011, THE FAIRYTALE deftly weaves folklore and music from around the world into a lush and eclectic symphonic journey. A moving, musical love story, The Fairytale is the epic saga of an unusual couple who fall in love, lose each other, and are finally reunited in an altogether different world…


SCALA Featured On NPR: “Rock’s Heavenly Choir”

November 2, 2011

by NPR STAFF (Original Article here)

Some young female musicians in Belgium experienced a small career change one day, when their classical choir morphed into a rock cover band. Conducted by Stijn Kolacny and accompanied on piano by his brother Steven, the group collectively known as Scala & Kolacny Brothers has built a career on transforming rock radio hits into otherworldly choral pieces.

Scala & Kolacny Brothers had its breakout moment in the U.S. this past year, when its cover of Radiohead‘s “Creep” was featured in the trailer for the film The Social Network. The choir’s reinterpretation transforms the song’s self-loathing lyrics into something sweeter, but as Steven Kolacny tells Morning Edition guest host Linda Wertheimer, lyrics weren’t the group’s main focus.

“The most important thing is the mood. We tried to find another mood, another feeling … something completely different,” Kolacny says. He adds that the group’s philosophy when choosing songs is all about finding styles that contrast with its own. “If you go to the more popular songs likeMadonna or Michael Jackson, I don’t think that will work for Scala. But if you go to Metallica, Muse, Radiohead, maybe even more alternative rock sounds like Marilyn Manson, that works very well.”

Kolacny says Radiohead was a key part of the once-classical ensemble’s transition to rock covers, which came about after a friend gave him a CD with some of the band’s live recordings.

“My question was, how is it possible that a choir these days is not able to sing rock music?” he asks. The answer, Kolacny says, was easy: “There are no scores — that’s it. You need somebody making the right scores of the right songs for the right choir.”

The group does have a few originals in its catalog. One standout track from its new self-titled album is “Seashell,” whose organ riffs and bouncy rhythms recall another European group: ABBA. Stijn Kolacny says it’s all part of Scala’s mission to entertain above all else. ”I think there is [enough misery] in the world,” he says. “When people come to a show and listen to Scala, it’s great that they’re moved or that they smile and step out of a venue and are happy. Maybe only for a moment — but we did our job.”


Coming soon from International Media: “THE STORY OF JESUS”

October 11, 2011

Regardless of one’s religious background or orientation, Jesus towers as a figure of paramount importance in human history. From International Media comes a compelling, thought-provoking documentary produced for the BBC that examines the life of Jesus and places him in an historical context, offering new archeological and social insights from world-renowned scholars.


“SCALA & KOLACKNY BROTHERS – LIVE FROM BRUGES” Promo

October 3, 2011


SCALA AND KOLACNY BROTHERS: The Bones Of Sophistication

June 29, 2011

by CECILE CLOUTIER

(original article: http://www.npr.org)

June 21, 2011

Belgium’s Scala and musical directors Steven and Stejn Kolacny have proven that often, the best way to subvert a pop song is to have sweet-voiced teenage girls sing it en masse. Scala interpretations of songs like Nirvana‘s “Smells Like Teen Spirit” and Radiohead‘s “Creep” show that those songs hold up to spare choral arrangements, and that hearing their lyrics vocalized by their target audience lends them a special poignancy.

The group’s take on the British electronic duo Lamb’s 1994 chillout ballad “Gorecki” is no exception. The original’s lush, sophisticated groove gets stripped down to its sleek bones and reinterpreted with spare piano, strings and shadowy percussion. In the process, the sophisticated jubilance of “Gorecki” is transformed into something more cautious and introspective.

Lyrically, it’s one thing for older-and-wiser Lamb vocalist Lou Rhodes to sing, “If I should die this very moment / I shouldn’t fear / Because I’ve known completeness / Like being here,” and another for two dozen adolescents to quietly proclaim it. It’s not that the realization of finding true love is terrible — far from it — but that it’s far more challenging to do so at 18 than at 28. It’s a realization that helps make Scala’s performance absolutely haunting.